20×24 Studio Director of Photography Jennifer Trausch gives the BBC a guided tour of the 20×24 camera and process.
Caroline Chiu: Polaroids as Chinese Ink Painting
An installation from A Chinese Wunderkammer
Snite Museum of Art
Milly and Fritz Kaeser Mestrovic Studio Gallery
March 14 to April 25, 2010
In Chiu’s case, she collects, by photography, objects representing the material culture of traditional China: bonsai, scholar’s rocks, flowers, artworks depicting the animal zodiac, and, here, goldfish. Her choice of subjects makes reference to historical Chinese culture; her graphic photographic images of goldfish suggest the brushstrokes of traditional Chinese ink painting and the sweeping abstract shapes of Chinese writing.
Because the images were taken with a rare 20 x 24 inch Polaroid camera—for which film is no longer manufactured––the exhibition is also an elegy to the era of Polaroid cameras and film. See the review in the South Bend Tribune.
Two years have passed with twists and turns that might deter all but the most determined enthusiasts.
In March of 2010 the 20×24 Film production is fully in place and producing new reagent to go with its film stock and Impossible Project releases the first of their new integral films to use with legacy SX-70 and 600 cameras. Our dreams of 2007 have now been realized. Instant imagery lives on in classic SX-70 and the monumental 20×24. We salute the Impossible Project for their creativity, determination and perseverance. The Impossible Team are: Florian Kaps, Marwan Saba, André Bosman, David Bias, Anne Bowerman, Andreas Hentschel, Lia Sáile, and Marlene Kelnreiter. Visit the Impossible Project.